سيرة
A beautiful auburn-haired lass with blue/grey eyes, Andra Martin was born Sandra Hildur Rehn (pronounced 'Wren') in Rockford, Illinois, of Swedish ancestry. She grew up on her parent's farm, attended high school in her home town and harboured dreams of becoming a star. Andra's first step on that projected career path was to spend two years studying speech and drama at Northwestern University. Her next stop was New York where she finagled her first job as a model while continuing part-time acting studies under the personal tutelage of Lee Strasberg. Strasberg was suitably impressed, considered her 'a natural' and recommended her to Joshua Logan to screen test for the female lead in Sayonara (1957) (opposite Marlon Brando). Alas, that fell through as did another audition at Warner Brothers for the part in Marjorie Morningstar (1958) which had already been earmarked for Natalie Wood. Universal-International eventually took up the option and signed the budding starlet under contract.The publicity machine went rapidly into top gear, comparing Andra to Hollywood's biggest and brightest, a melding of the attributes of Elizabeth Taylor and Betty Grable with the brains of a Katharine Hepburn. Sadly, her subsequent casting would tend to emphasize her beauty rather than her talent.
Andra only appeared in three pictures for Universal, none of them particularly good. The first was a second lead in a so-so romantic drama (The Lady Takes a Flyer (1957)) as the 'other woman', competing with Lana Turner for the affections of Jeff Chandler. Her character, a pilot, gets killed towards the end. Her other outing was a second-billed role in The Big Beat (1958), a youth-oriented musical which featured no less than fifteen musical numbers. Unsurprisingly, with just 81 minutes of screen time, there was little room for the semblance of a plot (or acting, for that matter). Number three was one of Universal's quota quickies, a lame horror film (The Thing That Couldn't Die (1958)) which cast Andra as a water diviner with telepathic abilities (!). She also made a few of films under contract to Warners, notably the submarine drama Up Periscope (1959) (as the perfunctory female lead) and the Clint Walker western Yellowstone Kelly (1959) (as the love interest, a captive Arapaho girl). By the end of the 50s, the newly minted Deb Star was earning $200 per week.
While her movie career was going nowhere, Andra managed quite well in securing spots as featured leading lady on many popular TV shows on the Warners roster, including Bronco (1958), Cheyenne (1955), 77 Sunset Strip (1958), The Alaskans (1959), Bourbon Street Beat (1959) and Hawaiian Eye (1959). In August 1958, she married Bronco star Ty Hardin (over the objections of their respective managers and Warner Brothers TV execs, who argued that such a union would ruin their romantic appeal to the public). The marriage ended in divorce in 1962. Andra left the film business following her second marriage to a department store heir which lasted six years. A third marriage, however, endured from 1970 until Andra's passing on May 3 2022 at the age of 86.
