Biographie
Jin Sun Song is a Korean creative producer and executive producer who develops original Korean and Asian intellectual property for the international market. With more than twenty years of experience in the Korean television industry, she has worked in story editing, project planning, intellectual property development, creative producing, executive production, and international co-development. After developing and leading drama projects at SBS and Studio Dragon, she founded Studio HaJI to create original series and international co-productions.
Her credits include The Whirlwind, What's Wrong with Secretary Kim, True Beauty, Duty After School, Connect, and Rugal. Her work spans romance, coming-of-age drama, political drama, science fiction, thriller, horror, and global streaming series.
Song has collaborated with producers, writers, directors, platforms, and funding organizations in Taiwan, Singapore, Japan, Canada, and the United States. Her international work includes series development, adaptation strategy, script consulting, project packaging, and cross-border creative leadership.
With an academic background in law and early professional experience as a comics writer and story editor, she combines narrative development with an understanding of intellectual property rights and international production. She specializes in identifying the emotional and dramatic core of a project and building narrative structures that can sustain stories across episodes, seasons, formats, and markets.
Her expertise includes series bible development, adaptation, character and season design, script development, intellectual property strategy, and creative supervision for live-action and animated projects.
Song has also worked as a script consultant, mentor, and showrunner on projects associated with the Taiwan Creative Content Agency and Singapore's Infocomm Media Development Authority. Her work with Asian creators focuses on preserving each project's cultural specificity while strengthening its dramatic clarity and accessibility for international audiences.
She views the producer as a creative architect who shapes a project's narrative vision and long-term structure, rather than solely managing its production.
