Biographie
After graduating from Rochester Institute of Technology's film program, Mike traveled off to Utah with a job offer to work with Robert Redford and his Sundance Institute. Mike managed the Sundance Film Festival Press Screening Room, helmed the Sundance Outreach Program and assisted both the Screenwriter & Directors Labs. This was to be Mike's graduate school education on writing & directing - learning all the sensitive details within cinematic storytelling from Oscar award-winning advisors such as Callie Khouri (Thelma & Louise) and Christopher McQuarrie (Usual Suspects, Mission Impossible franchise, and the upcoming Tom Cruise Top Gun: Maverick).
Alongside his Sundance experience, he employed himself as a commercial TV copywriter and director where he won an ADDY award for Best TV Commercial in the State of Utah. With his Sundance experience, Mike co-founded the New Century Writer Awards in association with Francis Ford Coppola and his All-Story Magazine. With just 60 national writing competitions at that time, Mike helped numerous writers (short story & screenplays) achieve careers along with discovering (now) well-known novelist Joe Hill, Stephen King's son.
After spending a few summers adventuring through Europe and the Celtic Circle, Mike relocated to Los Angeles where he escalated his creative knowledge into assistant directing on a multitude of independent features. Applying his years of industry experience, Mike has written & directed several award-winning short films such as the past-life regression teaser "A Karma Thing" and "Mr. Roberts," a horror short starring Basil Hoffman (Redford's Ordinary People, Pollock's All the President's Men and My Favorite Year), where the film has won and been nominated for "Best Director," "Best Actor," and "Best Horror Short" in many festivals. Not to mention, several "Best Cinematography" awards for his DP John T Connor (Director of Photography for the currently filming Jack Ryan Season 3 and "A" camera operator for Top Gun: Maverick). Mike's debut award-winning microbudget feature film, "A Girl, A Guy, A Space Helmet" starring Anthony Backman (Wish Upon A Unicorn), Kip Weeks (Spencer Confidential), and Scott Subiono (Tragedy of MacBeth) can be seen on Tubi TV. In 2022, Mike's "80s style creature feature" short film, "The Eyes" (starring Ace Marerro of Perry Mason), enjoyed a successful genre-festival circuit. Touting him in reviews as an early John Carpenter-esque filmmaker. Reviews calling for a feature version which has been developing as "Leech." Now in 2025, his latest short film "The Valley of Hearts Delight" premiered at the Santa Fe Film Festival (April 2024) and went on to enjoy a festival circuit which just ended in August 2025. This coming-of-age story stars Taj Cross (PEN15 and Young Rock) while collaborating with D.P. Marshall Adams (Better Call Saul and Servant). Currently, Mike is producing Jude Gerard Prest's documentary, "The Los Angeles Diaries" based on the award-winning memoir of the same name with Steven Soderbergh as executive producer and Jude Gerard Prest producing & directing. On the directing side, "Mexican Hat," a crime noir short film, will be his next directorial outing, hitting the festival circuit Summer of 2026.
As a screenwriter-for-hire, Mike has several completed screenplays circulating through the industry in all genres. Recently, for his original work, Mike's western spec "Black Meadows" was optioned and now has Zoe Bell, Tim Roth and Taika Waititi attached with Mary Vernieu casting. Also, he has sold screenplays such as "Hell Squad" (Arkoff Productions), "The Phantom Major" (Polaris Pictures), and "A Hero's Walk" (iConnect Films) to name a few. Mike's work on Jon McDonald's "The Hyperions" (starring Cary Elwes and Penelope Mitchell) was released through Saban Films in March 2022.In the fall of 2025, he sold his romantic thriller Ventura Holiday to Bleak Mid-Winter down in OZ. Now, Mike Timm pushes towards producing and directing a crime thriller screenplay called Bobby’s Got A Gun which he’s currently developing into pre-production for a Fall 2026 production.
Being a native New Yorker, his street-kid mentality provides Mike with a creative juice for authentic voices. He writes as a director and directs as an editor - always one step ahead - forming the film's creative elements as the production develops to the screen.
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