بیوگرافی
Venezuelan filmmaker based in New York, Luz has been fascinated by the power of images since she was six years old and got a Minolta from her father. Her short Caracas Enrejada (2010) received an Honorable Mention for cinematic quality at the Caracas Filminuto Festival and De Colores (2017) premiered at Doc NYC and it was in the official selections of film festivals in Los Angeles, Vail, and New Orleans. Luz has worked in the editorial departments of the Academy Award-nominated The Martha Mitchell Effect (2022)(Netflix/Sundance Official Selection '22), Unfinished Business (2022)(Tribeca '22), The Business of Birth Control (2021)(Miami Film Festival '22), The Boy from Medellín (2020)(Amazon/TIFF '20), and Award-winning documentary Decade of Fire (2019)(PBS/Full Frame/Doc NYC'19) among others. As a colorist, she has worked on films that have been selected for prestigious film festivals, including Sundance '26, Berlinale '26 Who Killed Alex Odeh? (2026), and Tribeca '26 The Haunting of Pennhurst (2026), TikTok Never Dies (2026).
She received a BA in Audiovisual Communication from the Andres Bello Catholic University (UCAB) in Venezuela and eventually became the youngest and only female Technical Director in her country. Luz moved to New York after being awarded a merit-based scholarship at The New School, where she completed two master degrees in Documentary and Media.
Luz was awarded a Davis Projects for Peace in 2018 to develop and implement a media literacy program for youth and kids, Petare Documenta in Caracas/Venezuela. And she received the Presidential Cup for Meritorious Service at the International House of New York in 2019 where she was a resident. Luz has also been a mentor for the New York Foundation for the Arts (NYFA) Immigrant Artist Program for several years.
As a filmmaker, Luz has collaborated with prestigious organizations like The New School, Columbia University, New York Foundation for the Arts, Global Fund for Women, Women Peace and Security, and The United Nations. Luz has been a fellow of the Karen Schmeer Film Editing Fellowship in New York, and she believes in the transformative power of cinema as a way of healing and self-reflection. When in doubt, just get closer, as the master Albert Maysles said.
Luz works as a colorist, finishing editor and documentary director in New York City. Her films have received the support of organizations like Fork Films and the NYC Women's Fund for Media, Music, and Theatre.
She loves Legos, View-Masters, and chocolate.
