Biografia
An established producer and executive producer, Veronica Fury's award-winning screen content reaches audiences around the world. With 20 years experience in the screen industry and over 100 commissioned credits to her name, she has many strong repeat working relationships with leading creatives, broadcasters, sales agents, distributors and streamers/platforms around the world. A founding partner in WildFury and WildBear Entertainment, Veronica now runs Fury Film Co and Fury13 with a strong active slate of scripted and unscripted screen content and was recently awarded a Screen Queensland Business Enterprise grant.
Veronica has worked with all the Australian broadcasters as well as key international broadcasters and streamers, including ZDF, Nat Geo, Disney +, Netflix, BBC, BAM, TG4, France 5, and Arte. Some prominent feature credits include the 2025 Kennedy Award winning, Sydney Film Festival premiering feature doc Joh: The Last King of Queensland (Stan), AACTA-nominated Brock: Over the Top (Universal Pictures), Iron Fists & Kung Fu Kicks (Netflix), and Hating Peter Tatchell, executive produced by Elton John (Netflix).
Some notable television credits include Train Rescue Down Under, Treasure Hunters Down Under and Gem Hunters Down Under (7mate), Wildlife ER (BAM/Disney+) and Aussie Mega Mechanics (Discovery) as well as high-profile archive based series like Just Animals (ZDF), Snowy 2.0 (SBS) and And We Danced (ABC) to name a few. Her work is represented globally via a broad range of leading distributors. Veronica maintains an active role in the Australian screen industry, she was an elected councillor for Screen Producers Australia and holds current positions on the Board of Curriculum at Bond University and RMC, and on the Industry Advisory Board of Griffith Film School and Screen Skills. Veronica regularly attends key international markets including Screen Forever, AIDC, MIPCOM, and WCSFP. Veronica has a passion for developing emerging talent and regularly participates in industry mentorship programs.
