バイオグラフィー
From 1957 to 1961, Serra studied at Berkeley and Santa Barbara. After earning a Bachelor of Arts degree, he pursued further education, obtaining a Master of Fine and Liberal Arts. Between 1961 and 1964, he studied under the German-American painter and designer Josef Albers at the University of California and Yale University in New Haven. Following this, he worked in a steel factory. In 1964, he traveled to Italy, where he encountered the Arte Povera and Minimal Art movements, which influenced his work. In 1966, he relocated to New York, connecting with artists from the Minimal Art movement. Serra integrated their ideas into his sculptures, using materials such as lead, neon tubes, and rubber. His piece "Belts" was created between 1966 and 1967. By the late 1960s, Serra was exploring process art, exemplified by his exhibition of lead shaped through throwing. In 1969, he created the object "Casting" using this method. From 1968 onward, he produced monumental sculptures from steel and iron, and also worked in printmaking, drawing, video, and film.
In 1970, Serra received a Guggenheim Fellowship. Five years later, in 1975, he was honored with the "Sculpture Award" from the Skowhegan School of Painting and Sculpture. His large steel and iron sculptures focus on themes of mass and weight. The metal plates, weighing several tons and standing many meters tall, are arranged to balance primarily through their positioning without additional support. Serra achieves precise placement of his sculptures based on exact calculations. Physics principles such as balance and gravity are not only central themes but integral to the sculptures themselves. The metal plates, reaching heights of up to 17 meters, evoke feelings of uncertainty and risk in viewers due to their apparent lightness and lack of fastening. With these compositions, Serra leans toward architectural design, consulting engineers and installers to realize his monumental works. His practice extends well beyond his studio.
In 1976 and 1977, he installed the "Terminal" sculpture in Bochum. Serra's works establish an ambivalent relationship with their environment. On one hand, their size and form harmonize with their settings, offering new experiences within familiar spaces. On the other hand, the artist aims to create a contrast with the surroundings through his large-scale sculptures, introducing change and forming distinct environments. He describes his work as "anti-decorative." The overall composition is editorial, with the arrangement of elements generating a strong emotional impact on viewers. Despite their monumental nature, Serra's sculptures sparked controversy when displayed publicly.
In 1989, the New York City Council ordered the removal of his "Tilted Arc" sculpture. His work remains free from political or social themes. In 1991, Serra settled in New York. He withdrew from the competition for the planned Holocaust memorial in Berlin in 1998. In 2002, he was awarded the Order Pour le Mérite. The expansive walk-in installation "The Matter of Time" was created in 2005 for the Guggenheim Museum Bilbao. This work stands as one of the largest sculptural commissions ever designed for a specific space in modern art history. The installation consists of seven monumental steel sculptures, some weighing around 40 tons, which appear light and playful. In 2012, Serra became a member of the American Philosophical Society. In 2014, he received the Alexej von Jawlensky Prize in Wiesbaden.
