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Lassie Lou Ahern, who had a notable career in 1920s Hollywood alongside figures like Will Rogers, Charley Chase, Helen Holmes, and the duo Ronald Colman and Vilma Banky, passed away in Prescott, Arizona, USA, due to flu complications. After years of relative obscurity, renewed interest in her life and film work brought her a new generation of fans in her later years, thanks to a revival of appreciation for silent cinema and efforts to restore her final silent film. Along with the surviving star "Baby Peggy" (Diana Serra Cary), aged 99, Ahern was one of the last Hollywood performers with strong ties to the silent film era. Rich with stories and details, her passing marks the transition of our connection to silent cinema from living memory to history.
Born just four blocks from Hollywood’s Ambassador Hotel, her father, Fred Ahern, was a real estate agent whose prominent client was Will Rogers during Culver City's development. After meeting Lassie and her older sister Peggy, Rogers encouraged Fred to take them to Hal Roach studios for child roles, leading to parts in the Our Gang series. Rogers took a personal interest in Lassie, securing her roles in his films, and she fondly regarded him as her "real" father throughout her life. She debuted in Roach’s first full-length film, The Call of the Wild (1923), and soon appeared regularly in Charley Chase comedies and as the rescued heroine in Helen Holmes’ popular serials. In films like Webs of Steel (1925), she performed her own dangerous stunts, much like Holmes. She also worked with independent producers on movies such as The Dark Angel for Samuel Goldwyn, Hell's Highroad for Cecil B. DeMille, and Robes of Sin for William Russell (all 1925), as well as major studio productions like John Ford’s now-lost Thank You and Excuse Me starring Norma Shearer (both 1925), before signing with Universal in the mid-1920s.
Her greatest success came with the epic Uncle Tom's Cabin (1927), where she won the role of Little Harry over hundreds of boys. Filmed largely on location along the Mississippi River, she featured in the famous ice floe escape scene. Although the film faced numerous setbacks causing a production time exceeding a year and a half, it was the highlight of her career and garnered positive reviews. Biographer Jeffrey Crouse, who interviewed her extensively in 2013 for Film International, noted that "while she may not fully convince as a boy by today’s standards, her lively and engaging commitment adds a vibrant touch that sweetly enlivens the film." Uncle Tom's Cabin became the third most expensive Hollywood production of the 1920s after Ben Hur: A Tale of the Christ (1925) and Old Ironsides (1926), but like those films, it was a financial loss.
At Universal, she had her own dressing room, previously occupied by Conrad Nagel, and a star bearing her name. A clothing line called "Lassie Lou Classics" was launched, and she endorsed products like Sunkist oranges, Buster Brown shoes, and Jean Carol frocks. That year, she appeared in the rare Jewish-themed drama Surrender (1927) alongside Mary Philbin and Ivan Mozhukhin in his sole American film. She also played an Arab girl in The Forbidden Woman (1927) starring Jetta Goudal and Joseph Schildkraut, who later won an Oscar for The Life of Emile Zola (1937) and praised Ahern as his "favorite co-star" at the wrap party. In 1927, she co-starred with child star Frankie Darro in the FBO production Little Mickey Grogan, marking her final silent film role. Along with her part as Little Harry, her portrayal of street urchin Susan Dale was among her proudest achievements.
Concerned by the growing screen violence depicted in late 1920s proto-gangster films like Underworld (1927), Ladies of the Mob (1928), and Thunderbolt (1929), Fred Ahern withdrew his daughters from acting. He opened a dance studio called "Ahern's Allied Arts" just blocks from MGM, offering ballet, tap, acrobatics, rope tricks, and music lessons. Lassie, already a trained dancer, had showcased her skills in Uncle Tom's Cabin and Little Mickey Grogan. From 1932 to 1939, she and her sister toured worldwide performing together, including a film appearance in 1937's Hollywood Party. Their act ended when each chose to marry.
While Peggy retired permanently from performing, Lassie returned to Hollywood in 1941 with her husband Johnny Brent, a former Dixieland drummer who worked for years in studio orchestras. She danced in City of Lost Girls (1941) and early Donald O'Connor musicals at Universal, including Top Man (1943), Mister Big (1943), and Patrick the Great (1945). She spoke highly of O'Connor, considering him the finest performer she ever worked with. She was almost cast opposite Jennifer Jones in The Song of Bernadette (1943) and had a minor role with Joseph Cotten in George Cukor’s Gaslight (1944). Decades later, her screen appearances shifted to television, with small roles on series like The Odd Couple and Love, American Style.
In middle age, Ahern worked as a travel agent and taught dance for over thirty years at the Ashram Spa near San Diego, where pupils included Renee Zellweger and Cindy Crawford. In the 1970s, while preparing for a role as a madam, Faye Dunaway sought walking lessons from Ahern due to her commanding presence.
Besides her late husband and sister, her half-brother Fred worked in the industry as a production designer for Alfred Hitchcock on five films between Spellbound (1945) and Stage Fright (1950). Lassie Lou Ahern is survived by her three children: Cary, Debra, and John. In 2013, she told Crouse, "It's gratifying to experience such interest in my work from you and so many others worldwide. Fan letters, especially from Germany and Spain, still arrive at a rate that amazes me."
An original 35-mm nitrate print of Little Mickey Grogan has been discovered in the Lobster Films Archive in Paris. Crouse and co-producer Eric Grayson are currently working on its restoration.
