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Alan Wendell Livingston was born on October 15, 1917, in McDonald, Pennsylvania, as the youngest of three children. His mother encouraged a love of reading and music. While attending the University of Pennsylvania, he led his own college orchestra. After earning a B.S. in Economics from the Wharton School of Finance and Commerce, he moved to New York to work in advertising for three years. At the onset of World War II, he enlisted as a private and served as a second lieutenant in the infantry. Following his discharge, he borrowed money, caught a ride on an army plane to Los Angeles, and secured his first role at Capitol Records, Inc. in Hollywood as a writer and producer.
He was initially tasked with developing a children's record library for the young company, during which he created the iconic "Bozo the Clown." Livingston wrote and produced a popular series of storytelling record-album and read-along book sets, beginning with "Bozo at the Circus" in October 1946. His record-reader concept, allowing children to follow illustrated stories while listening, was groundbreaking. The Bozo character was a composite design from various clown images, turned into comic-style illustrations by an artist. Livingston hired Pinto Colvig—a former circus clown and the original voice of Disney characters like Pluto and Goofy—to voice Bozo, with Billy May producing the music. The series was a major success, selling over eight million albums in the late 1940s and early 1950s. Bozo merchandise flourished, and the character starred in the first TV series, "Bozo's Circus," on KTTV-Channel 11 (CBS) in Los Angeles in 1949. Bozo also became Capitol Records' mascot, later dubbed "Bozo the Capitol Clown."
Livingston produced numerous other children's recordings, including works for Walt Disney, Walter Lantz's Woody Woodpecker, Bugs Bunny, and other Warner Bros. characters. He wrote the 1951 pop hit "I Taut I Taw a Puddy Tat" for Mel Blanc's Tweety Pie.
Within a few years, Livingston transitioned to adult music and became Vice President overseeing all creative operations at Capitol Records. He signed Frank Sinatra during a downturn in Sinatra’s career. Livingston pushed for Sinatra to collaborate with arranger Nelson Riddle, despite Sinatra's initial loyalty to Axel Stordahl. After disappointing sessions with Stordahl, Sinatra agreed to work with Riddle in April 1953, yielding the classic "I've Got the World on a String." The defining moment in Sinatra’s comeback was "Young-at-Heart," which peaked at #2 during a 22-week chart run in spring 1954.
Livingston is credited as the creative force behind Capitol Records' growth from $6 million to over $100 million in annual net sales.
After a decade with Capitol, Livingston and the company sold the "Bozo the Clown" licensing rights (excluding recordings) to Larry Harmon, who had portrayed Bozo at promotional events. Livingston left Capitol to become President of California National Productions, Inc., NBC's film production subsidiary. He was soon named Vice President of NBC, overseeing Television Network Programming and network-produced films. In this role, he hired David Dortort to create the pilot for "Bonanza" (1959), whose memorable theme was composed by Livingston’s brother, Jay Livingston. He also served on the boards of Bob Hope Enterprises, Inc. and Joseph L. Mankiewicz's Figaro, Inc.
Five years later, Capitol persuaded him to return as President and later Chairman of the Board. He joined the Board of Electric and Musical Industries (EMI), Capitol’s largest British shareholder. Livingston merged Capitol Records into Audio Devices, Inc., a magnetic tape maker listed on the American Stock Exchange, renaming it Capitol Industries, Inc., with Livingston as President. During this period, he shifted Capitol towards rock music, signing artists such as The Beach Boys, Steve Miller, and The Band. His most notable achievement was signing The Beatles to Capitol in 1963 and bringing them to the U.S. in 1964.
Livingston later sold his Capitol Industries stock to establish Mediarts, Inc., focusing on film, records, and music publishing. He sold his stake to United Artists after its record success, including Don McLean’s 1972 #1 hit and album "American Pie." Mediarts produced two feature films: "Downhill Racer" (1969) starring Robert Redford and Gene Hackman, and "Unman, Wittering and Zigo" (1971) starring David Hemmings, both released by Paramount Pictures.
In August 1976, Livingston joined Twentieth Century Fox Film Corporation as Senior Vice President and President of the Entertainment Group. He left in 1980 to become president of Atalanta Investment Company, Inc., resigning in 1987 to produce a television film and form Pacific Rim Productions, Inc.
Livingston also authored a novel, "Ronnie Finkelhof, Superstar," about a shy Harvard pre-law student who becomes a rock music sensation. It was published by Ballantine Books in spring 1988.
On August 1, 1998, Livingston was honored with the Lifetime of Laughter Achievement Award by the International Clown Hall of Fame in Wisconsin for creating "Bozo the Clown."
Alan Livingston died on March 13, 2009, at age 91 in Beverly Hills, California.
