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Richard Bazley, an Emmy-nominated director with an illustrious career in both animation and live-action filmmaking, has carved out a distinctive path in the industry. With a rich background in animation, Bazley has worked on some of the most celebrated films of the past few decades, including Disney's Pocahontas and Hercules. His role as Lead Animator on Warner Bros.' The Iron Giant solidified his reputation as an exceptional talent in the field.
Bazley's journey in film began with the groundbreaking Who Framed Roger Rabbit, a project that set a new standard for animation and live-action integration. This early experience honed his skills and ignited a passion for storytelling that would drive his career forward. Since then, he has worked on both sides of the Atlantic, setting up Bazley Films in the US and UK, where he continues to develop innovative projects.
One of Bazley's notable achievements is The Journal of Edwin Carp, an animated short narrated by Hugh Laurie. This film was the first animated short created in Flash to be released theatrically, a testament to Bazley's pioneering spirit and willingness to embrace new technologies in filmmaking.
Bazley further showcased his storytelling abilities with Lost Treasure Hunt, a half-hour animated pilot created through Argosy Film Group. The show, developed by an award-winning team behind Shrek and The Iron Giant, combined adventure with historical themes in a fresh and engaging way. His work on this project earned him two Emmy nominations in 2015, reinforcing his status as a top-tier filmmaker.
Expanding into feature films, Bazley has developed several projects as a director. In 2011, he collaborated with legendary producer Gary Kurtz (Star Wars, The Dark Crystal) to establish GBK Hybrid, a production company blending traditional and innovative filmmaking techniques. Their first short film, Centurion Resurrection, has been screened at numerous film festivals and has garnered multiple awards, highlighting Bazley's ability to create compelling narratives across different formats. The Chimeran, a Live Action Feature, was the first film in development. Described as somewhere between Planet of the Apes and District 9 this is clearly not just another creature movie. With Gary Kurtz's involvement it ensures that the film has depth and character with many sociological issues that take it out of the realms of regular Sci Fi. It is grounded in real scientific theory, is thought-provoking, and relevant to the human condition.
Most recently, Bazley has directed the films Censure and Confines. Censure, written by longtime collaborator Neil Bason, featuring Tom Conti and starring Connor Wulfric, and Confines, starring Luke F. Dejahang, have collectively won over 60 awards and have been screened worldwide, including The Fine Arts Theatre in Beverly Hills, The Producers Club in New York, and Espace Miramar in Cannes. These projects exemplify his seamless transition into live-action filmmaking while maintaining his signature attention to detail and storytelling prowess.
Beyond his filmmaking endeavors, Bazley is an advocate for innovation in storytelling. He continues to explore new techniques and collaborations, pushing creative boundaries in every project he undertakes. His passion for both traditional and digital filmmaking has made him a respected figure in the industry, inspiring the next generation of animators and directors.
"It is no coincidence that many other Directors have come from an animation background such as Tim Burton and Brad Bird. I couldn't be more excited to see what he does next in Live Action". (Mario Kassar, Producer Rambo, Terminator and Basic Instinct.)
Richard Bazley's career is a testament to his versatility, creativity, and dedication to pushing the boundaries of filmmaking. Whether in animation or live action, his work continues to captivate audiences and influence the industry. As he forges ahead with new projects, Bazley remains a filmmaker to watch, consistently delivering visually stunning and narratively compelling works that resonate with viewers around the world.
