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Born in 1906 in Budapest, Richard Pottier began his career as an assistant to Sternberg. His directorial debut coincided with the advent of sound films. Over his lengthy career, he explored numerous genres: comedies ("Si J'Etais Le Patron"), adventures ("Les Secrets De La Mer Rouge"), sci-fi ("Le Monde Tremblera," featuring a machine that could predict the date of death), detective films ("Picpus"), musicals ("Violettes Imperiales"), melodramas ("Defense D'Aimer"), and more. A skilled craftsman, he did not deserve the disdain of critics. Without him, "Some Like It Hot" might never have existed, as Billy Wilder based it on the German remake of "Fanfare D'Amour." He was the first to tackle euthanasia in "Meurtres" (1950), at a time when the topic was taboo; his lively "Caroline Chérie" preceded the "Angélique Marquise Des Anges" series by a decade. His rural thriller "La Ferme Aux Loups" revitalized the twin story trope. After 1950, his career gradually waned, with his final projects being low-budget sword-and-sandal films such as "David Et Goliath" (featuring Orson Welles) and "L'Enlèvement Des Sabines" (starring Roger Moore). He retired in the mid-1960s and lived another thirty years, passing away in 1994.
