전기
Clients & collaborators: Jules Buckley, Bleeding Fingers Music, Bryce Dessner, Ben Foster, Benjamin Kwasi Burrell, National Orchestra of Wales, Ré Olunuga
Beginning his career at CTS Lansdowne Studios in 2004, Jeremy went on to spend 13 years with the iconic Angel Studios, before joining the AIR Management roster in 2019. Jeremy is a versatile recording and mixing engineer working in film and TV scoring, large ensemble tracking, and Big Band/Jazz.
His film and TV scoring portfolio hosts multiple esteemed BBC documentaries including engineering primetime Emmy award winner Prehistoric Planet (seasons 1 & 2), engineering Frozen Planet II, and Hans Zimmer, Jacob Shea, and Sara Barone's score for Planet Earth III, which featured Bastille and Hans Zimmer's collaborative single Pompeii MMXXIII. Other unforgettable works include engineering Bryce Dessner's recent project Widow Clicquot and Matthew Herbert's award-winning scores for The Wonder and The Responder.
Recent pop and band collaborations have involved him recording the orchestra for Taylor Swift on her latest album The Tortured Poets Society and Pet Shop Boys on their album Nonetheless. Previous orchestral works have seen him work with Floating Points & Pharoah Sanders, HER-O and Jules Buckley, Enter Shikari, and Alex James of Blur. He has also worked with artists including Mumford & Sons, Emeli Sandé, Sam Smith, The National, and Michael Bublé for his Grammy-winning album Higher.
Jeremy's musical theatre credits include Matthew Brind's Just For One Day and The Little Big Things, as well as working on the Grammy-nominated cast recording album for The Prince of Egypt musical by composer Stephen Schwartz.
