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Jeffrey Scott Basham's screen career began locally in Michigan with a background role in Clint Eastwood's "Gran Torino" (2008). This opportunity set the stage for a trajectory filled with diverse and challenging roles both in front of and behind the camera. His performance in Haaris Baiig's thriller "Residual Imprint" (2012) earned critical acclaim, highlighting his ability to quickly immerse himself in complex characters. His remarkable versatility was further showcased through his work alongside Sir Anthony Hopkins in "Westworld" (2017).
In theater, Basham's portrayal of 'Max' in Martin Sherman's "BENT" at CalArts, under the direction of the late Fran Bennett, was not only a performance role but also an executive production effort, earning the show significant accolades, including the Diversity Grant. His other notable theater credits include playing Hamlet in "Hamlet" and Marc Antony in "Julius Caesar," as well as directing and casting in a queer adaptation of Wendy MacLeod's "The House of Yes."
Basham has also made a mark in comedy as a stand-up, improv, and sketch comedian, performing at venues such as the Laugh Factory in Hollywood, the Hollywood Improv, The Comedy Store, and Caroline's on Broadway in Times Square.
Making the transition to production, Basham was involved in the French drama "Don't Leave Me" ("Ne m'abandonne pas") (2016), which won an International Emmy Award for Best TV Movie or Miniseries. Fluent in French, his linguistic skills and business acumen have diversified his artistic and commercial pursuits, allowing him to work as a model, spokesperson, and commercial actor, rounding out his multifaceted career.
Later, he co-founded an independent production company focused on developing and distributing global film and television content.
Basham's journey from the Midwest to the global film and television stage is a story of relentless passion, versatile talent, and a commitment to storytelling that resonates with diverse audiences around the world.
