전기
Magalhães began her career in 1954 at Tupi Broadcasting's radio and TV, initially taking on minor and background roles before landing significant parts and prominent characters, all prior to the era of videotaping.
After her first marriage in 1960, she moved to Bahia but continued her artistic pursuits by joining the theatrical group 'A Barca,' formed by former drama school students and directed by Luís Carlos Maciel. She also appeared in classic productions on the local TV Itapoan station. Invited by Glauber Rocha himself, she secured a role in the iconic film Black God, White Devil (1964), a milestone in Brazil's 'New Cinema' movement, filmed in Monte Santo, Bahia.
In 1964, she returned to Rio de Janeiro and gave birth to her only son. The following year, she resumed her career when renowned Brazilian stage actress Nathália Timberg invited her to perform in Nelson Rodrigues's 'Vestido de Noiva,' directed by Sérgio Cardoso at the Municipal Theater.
In 1966, Walter Clark, Globo TV's newly appointed executive producer, invited her to play a romantic role in one of the network's first telenovelas, where she met actor and future husband Carlos Alberto.
In 1970, the couple moved to São Paulo to work for Tupi TV, starring in another telenovela. After their marriage ended in 1971, Magalhães returned to Rio and Globo TV, where she spent most of her subsequent career.
At 50, following the immense popularity of her character on Roque Santeiro (1985), she posed nude for a photo spread in one of the era's most popular men's magazines.
She passed away at 80, leaving behind a legacy spanning six decades in television, theater, and film.
