Biografia
Award-winning actor, improviser, writer, and director Michael Patrick Thornton is a fearless artist whose work spans stage and screen. From acclaimed Broadway triumphs to unforgettable film and television moments, Thornton brings personal depth and precision to every role.
This year, Thornton electrified Broadway in the landmark revival of Samuel Beckett’s Waiting for Godot, starring opposite Keanu Reeves, Alex Winter, and Brandon Dirden at New York’s Hudson Theatre. Taking on the formidable role of Lucky, Michael reunited with visionary director Jamie Lloyd who previously helmed the Tony-nominated triumph A Doll’s House wherein Michael starred alongside Jessica Chastain. That celebrated performance earned Thornton the 2023 Actors Equity Foundation Joe A. Callaway Award for Best Performance by an Actor in a Classical Play. Thornton’s performance as Lucky played to rapturous acclaim.
On television, Thornton is currently filming Ed Solomon’s The Spot for Hulu/A24, starring opposite Claire Danes and Ewan McGregor. Michael also excitingly reunited with Jessica Chastain in The Savant for Apple TV, an eight-episode limited series that follows an undercover profiler (Chastain) as she infiltrates extremist networks while trying to protect her own family. Thornton plays Gary, a former law-enforcement officer turned head of The Anti-Hate Alliance, delivering a riveting performance that anchors the show’s moral and emotional core. The series should premiere at some point after having been postponed in 2025.
Additional film and television credits include Netflix’s Black Rabbit opposite Jude Law and Jason Bateman, Away opposite Hilary Swank, The Last Day with Alicia Vikander, Counterpart opposite J.K. Simmons, Ponderosa, NCIS, The Good Doctor, Let the Right One In, Chicago Party Aunt, 61st Street, A Million Little Things, Away, All Rise, Madam Secretary, The Red Line, Elementary, and The View From Tall. Michael made his television debut portraying "Dr. Fife," the snarky love interest of Broadway legend Audra McDonald on Private Practice. This year features Thornton in a major role in Oscar winner Siân Heder’s Being Heumann for Apple. On stage, Thornton made his Broadway debut in Sam Gold’s production of Macbeth with Daniel Craig and Ruth Negga. In 2006 he won the Jeff Award for Solo Performance for Conor McPherson’s The Good Thief (The Gift, directed by John Gawlik) an hour-long monologue that marked his triumphant return to the stage after two spinal strokes in 2003. Years of intensive physical, speech, and occupational rehabilitation at the Shirley Ryan Ability Lab (then R.I.C.) which he credits with "putting Humpty Dumpty back together again" made that comeback possible.
Additional stage credits include Doubt (The Gift/Steppenwolf) Will Eno’s Title and Deed (Lookingglass-Time Out Best Actor Award) and Middletown (Steppenwolf) the premiere of Andrew Hinderaker’s Colossal (Olney Theatre, Kennedy Center) Othello (Iago, The Gift) Our Town (Actors Theatre of Louisville) and the world premieres of Hinderaker’s Dirty and Suicide, Incorporated-the latter earning him a Joseph Jefferson Award nomination. In 2016, Thornton made history in the title role of Richard III (The Gift/Steppenwolf) by becoming the first actor to perform onstage in a robotic exoskeleton. That stunningly innovative fusion of technology and performance which intentionally perturbed and investigated ableist tropes via Shakespeare’s king continues to inspire podcasts, essays, anthologies, and academic papers a decade since its opening night.
Thornton recently starred in Obliteration by Andrew Hinderaker, a searing two-hander about two stand-up comics grappling with their world-and lives-on the brink. Featuring two of Thornton’s favorite collaborators-actor Cyd Blakewell and director Jonathan Berry-the hit production (with vocal cameos from Sarah Silverman and Beth Stelling) debuted to a sold-out run at Steppenwolf’s Lookout, was remounted at The Revival in Chicago’s South Loop, and is being eyed for future productions.
Thornton’s acclaimed improv show You & Me premiered at Steppenwolf and has played for over a decade across Chicago, America, and in Dublin, Ireland. Most recently, Michael and longtime comedy partner Susan Messing gave the show its New York debut at Lincoln Center. The Chicago Reader has hailed Thornton’s improvisation as "masterful."
As a writer, Thornton created The Gift’s radio series Mud City and its spin-off graphic novel Kid Winchester, illustrated by ensemble member Martel Manning. His playwriting-first championed by New York’s Young Playwrights, Inc.-has since been developed through The Second City and American Theatre Company, with works including The Princess and the Bear performed at Western Michigan University and published alongside his creative non-fiction in Third Coast Press and The Packingtown Review. Michael has also served as a staff writer for The Paper Machete, authored the novels Ordinary Time, A Low Hum, and Janitor, and contributed as a co-author to the cultural plan for his beloved city of Chicago.
Thornton has directed landmark productions, most notably the world premiere of fellow Gift ensemble member David Rabe’s Good for Otto (Jeff Nomination-Director) as well as Rabe’s Cosmologies; the 75th-anniversary production of War of the Worlds; the Chicago premiere of fellow Gift ensemble member Will Eno’s Oh, the Humanity (and other exclamations) and Rabe’s Hurlyburly (all at The Gift) as well as Of Mice and Men (Steppenwolf) and Picasso at the Lapin Agile (Noble Fool). He also served as an assistant director for Steppenwolf’s Pulitzer Prize and Tony Award-winning production of August: Osage County. Thornton is the co-founder of Chicago’s renowned The Gift Theatre and proudly served as its artistic director for twenty years.
Thornton has taught at Second City, Acting Studio Chicago, Black Box, Green Shirt Studio, Columbia College, DePaul, Roosevelt, and Northwestern University. He was the improvisation instructor (with mentor Sheldon Patinkin and Susan Messing) at The School at Steppenwolf for a decade. His wife is the performance artist Lindsey Barlag Thornton, and they split their time between New York City and Chicago.
