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Chris Duskin is a cinematographer with nearly 100 films to his credit, spanning studio features, streaming, and television. A New York native and NYU Tisch School of the Arts graduate, Duskin began his career in Manhattan's commercial production scene before advancing through the camera department to become a highly respected director of photography. Starting as a film loader and assistant cameraman, he progressed to an A-list focus puller and camera operator on major films such as The Rock, Conspiracy Theory, Apollo 13, and Steven Spielberg’s A.I. Artificial Intelligence. His extensive experience on large-scale action movies—including Transformers, Fast Five, Mission: Impossible - Rogue Nation, Avengers: Infinity War, Avengers: Endgame, Captain Marvel, Spider-Man: No Way Home, and The Falcon and the Winter Soldier—has influenced his dynamic, performance-focused visual style. Duskin moved into cinematography on both main and second units, working alongside renowned filmmakers and cinematographers like Rodrigo Prieto, Dante Spinotti, and Mauro Fiore. He has been Director of Photography on features such as Fear (directed by Deon Taylor), Think Like a Man Too, and Dashing Through the Snow, marking his ninth collaboration with director Tim Story. His television credits include cinematography on 14 episodes of Ryan Murphy’s Nip/Tuck and additional work on Mind Games. Duskin has also played a vital creative role on major studio productions as a second unit and splinter unit DP for projects like The Alto Knights, Haunted Mansion, She-Hulk: Attorney at Law, and Descendants: Rise of Red. Renowned for his technical precision, expertise in large-scale action sequences, and collaborative spirit, Duskin brings decades of experience to projects ranging from intimate character-driven stories to complex, visual effects-heavy films.
