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Renowned as one of the finest character actors of the 1930s and early 1940s, Raymond Aimos—commonly credited simply as Aimos—perfectly embodied the 'titi parisien' (Parisian street kid). Throughout his career, he portrayed a wide range of characters, appearing in over 105 films, often reflecting his true self: a lanky, cheeky man of working-class roots with a heart of gold. Born in 1891 in northern France, the son of a clockmaker-jeweler, Raymond was expected to take up his father's trade, but he was irresistibly drawn to show business. Adopting the stage name Aimos, he became an operatic singer and appeared in several silent films starting in 1912. His breakthrough came with the advent of sound cinema, where his appearance, working-class background, and gift of gab perfectly suited the era’s films. Aimos delivered memorable performances in masterpieces by René Clair ('Sous les toits de Paris', '14 juillet'), Raymond Bernard ('Les croix de bois', 'Amants et voleurs'), Julien Duvivier ('Le Paquebot Tenacity', 'La Bandera', 'La belle équipe', 'L'homme du jour'), Sacha Guitry ('Ils étaient neuf célibataires'), Marcel Carné ('Quai des brumes'), and Jean Grémillon ('Lumière d'été'). Even in films by less renowned directors, his presence enhanced the production. Among his most unforgettable roles were Mulot, the legionnaire friend of Jean Gabin in 'La Bandera'; Tintin, one of five friends opening a riverside café; and Quart-Vittel, the tragic figure in 'Quai des brumes'. As brave in real life as he was on screen, Aimos took part in the resistance against the Nazi occupation during the Liberation of Paris. Tragically, he was struck by a stray bullet and died a few hours later at the young age of 55.
