Biyografi
Georgia Goodman's ethnic ambiguity stems from her Vietnamese mother and her mixed-race French-African father. Growing up across Lebanon, the Philippines, Japan, and Africa gave her an intuitive understanding of people, cultures, and environments that no drama school could teach. Her passion for acting began in Vancouver, where shows like 21 Jump Street and MacGyver were filming, turning her early background roles into a quiet obsession. True to herself, Georgia prioritized her parents' wishes by earning a BA in Economics in France before moving to London to study at the Webber Douglas Academy of Dramatic Art.
Her career has been built steadily through persistence, versatility, and preparation rather than a single breakout moment. From Alfonso Cuarón's Children of Men to Paul Greengrass's Captain Phillips, Tim Burton's Wednesday to Apple TV's Silo, Marvel's Loki to Showtime's Homeland, Georgia has made her mark across studios, streaming platforms, and continents. She may not always be the lead or the biggest name, but she is consistently working, delivering strong performances, and earning roles with directors known for their discerning casting.
The year 2026 marked a turning point. Gore Verbinski cast her as Marie in Good Luck, Have Fun, Don't Die alongside Sam Rockwell, Juno Temple, and Zazie Beetz. Frank & Louis premiered at Sundance. She completed a co-lead role in the action film Last Resort opposite Mason Gooding. She has a recurring role in We Might Regret This Season 2 and appears in The Witcher Season 5. Edgar Wright cast her in The Running Man. The volume and quality of her work speak for themselves.
Beyond her screen credits, Georgia co-founded Eagle & Beaver Ensemble with co-producer Lance C. Fuller, producing two short play festivals at The Union Theatre to showcase new writing from across the Atlantic. She won Best Actress for the short film Gloria, which highlights the struggles of Latin American workers in London. A vocal advocate for ethnic and gender diversity on screen—especially in the UK and Europe, where she candidly notes the industry lags about a decade behind Hollywood—Georgia also starred alongside Brett Goldstein in Informed Consent at the Jermyn Street Theatre and played Louise in Private Lives on the West End, valuing the stage for keeping her grounded.
Georgia does not consider her journey an overnight success and openly admits, "I don’t think I’m there yet." However, with a career spanning over 20 years, three continents, and every medium from blockbusters to fringe theatre, her work has spoken volumes—and the industry is finally listening at the level she has long been performing.
