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John Bolton is an award-winning filmmaker from Vancouver, Canada, and the founder & chief creative officer of Opus 59 Films, a boutique storytelling enterprise focused on adapting, and making films about, extraordinary works of music, literature and art. He brings a very particular erudition and sensibility to Opus 59 Films’ diverse portfolio of projects.
John is best known for Aim for the Roses (2016) (for Blue Ice Docs and Monoduo Films), about Canadian musician Mark Haney and Canadian daredevil Ken Carter. It had its world premiere at Hot Docs in Toronto, was the opening night film at DOXA in Vancouver, had its broadcast premiere on CBC / Documentary Channel, and was nominated for 5 Leo Awards and a Vancouver Film Critics Circle Award. Exclaim! Magazine called it "enthralling and thought provoking", the Globe And Mail called it "audacious and outrageous" and POV Magazine called it "bizarre, ambitious and ridiculously entertaining" and "the wildest, craziest, smartest doc in years".
John's most recent film is King Arthur's Night (2025) (for Accessible Media Inc. / AMI), a medieval musical documentary, inspired by the critically acclaimed play of the same name, created by an amazing company of artists with and without Down syndrome, including award-winning playwrights Niall McNeil and Marcus Youssef; visionary director James Long; and iconic musician Veda Hille. It had its world premiere at DOXA in Vancouver. POV Magazine called it "spellbinding and unique and unmissable" and "the "Holy Grail for those looking to watch a doc that sensitively explores community and culture through the eyes and minds of people who are often disregarded throughout history and society."
John recently produced and directed The Lake / n'-ha-a-itk (2022), an inspiring music documentary about an extraordinary friendship between two singers & teachers - Heather Pawsey of Astrolabe Musik Theatre, and Delphine Derickson of Westbank First Nation - and the groundbreaking cross-cultural collaboration in which they decolonized a historic Canadian opera by incorporating syilx / Okanagan perspectives. It had its world premiere at FIFA in Montreal. The Georgia Straight called it "remarkable, heartfelt and memorable" and the National Observer called it "fascinating" and said that "it's hard to imagine if there can be many other films like it".
John also recently produced Teresa Alfeld's documentary Doug and the Slugs & Me (2022) (for CBC / Documentary Channel), a POV documentary following Teresa's journey uncovering the story of her childhood best friend's dad, Doug Bennett, leader of the legendary 1980s Canadian band Doug and the Slugs. It had its world premiere at DOXA in Vancouver, where it was the closing night film. The Globe And Mail called it "an atypical rock doc" and said that "the film has a soul", POV Magazine called it "fun, fast and personal" and TV Eh? called it "wonderfully moving".
John previously produced Teresa's feature length documentary The Rankin File: Legacy of a Radical (2018) (with the support of the British Columbia Arts Council), about the colourful and sometimes controversial life of Vancouver lawyer, city councillor and socialist icon Harry Rankin, which was the opening night film at DOXA in Vancouver, and had its broadcast / streaming premiere in Canada on Knowledge Network, and in the USA on Means TV. The Commentary called it "a fascinating film and marvelous chronicle of Vancouver" and the Georgia Straight called it "memorable and nuanced".
John also recently executive produced Nisha Platzer's documentary Back Home (2022) (for Telefilm Canada), about Nisha's pursuit to get to know her older brother, Josh, twenty years after he took his own life. It had its world premiere at the Vancouver International Film Festival, and its broadcast / streaming premiere on TVO. POV Magazine called it "haunting, ethereal, poignant and personal" and Stir Magazine called it "a poetic, sensory portrait that pushes the documentary form".
John also recently wrote and directed the feature length documentary That Higher Level (2018) (for the National Film Board of Canada), about the National Youth Orchestra of Canada, which had its world premiere at the Victoria Film Festival, and had its broadcast / streaming premiere on CBC Gem. The Vancouver Observer called it "inspiring and thrilling" and Viva Scene called it "a soulful endeavour".
John's other films as producer / director include adaptations of short stories by Nancy Lee and Thomas King (Valentines (2008) and The Closer You Get to Canada (2010), both of which won Leo Awards for Best Actress); the cult classic Crazy8s short Breakdown (2006) (which won a Canadian Comedy Award for Best Actress); a short documentary about Michael J. Fox; short films about the artists David Burdeny, Douglas Coupland, Omer Arbel and Pete Clarkson; a series of polyamorous classical music promos for Knowledge Network's Radio City: Date Nights (2012) strand; classical music performance pieces featuring Allegra Chamber Orchestra, Borealis String Quartet, City Opera Vancouver, Little Chamber Music, Rachel Kiyo Iwaasa and Rudolf Komorous; and the Golden Sheaf Award winning Flame/Through Walls (2010), featuring the UBC Women's Hockey Team skating to the music of Jennifer Butler and Jordan Nobles.
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